Rubin Safaya

Mr. Safaya is the Executive Editor of Cinemalogue and a voting member of the DFW Film Critics Association. He is also a listed critic at Rotten Tomatoes, accredited by the Toronto International Film Festival, and has been quoted by The Wrap, The Manila Times, and CBC.

In Her Shoes

At one point in the film, my wife turns to me and notes why many women have a fascination with shoes. Women aren’t physically judged by their shoe size. It’s the one clothing item they can buy without being conscious of their figure. That wouldn’t have occurred to me, but then the film is based on a novel by Jennifer Weiner with a screenplay written by…

Two for the Money

“To pop, sports were a religion where all wrongs could be made right,” says Brandon Lang (Matthew McConaughey). Brandon’s interest and talent for football had the potential to take him a long way, but a mishap in a crucial play leaves his knee injured and his hopes of a pro career destroyed. Six years pass, and Brandon picks up work as a…

Waiting…

Is there a lesson to be learned from “Deuce Bigalow,” from which first time director Rob McKittrick could benefit? If there is, perhaps it’s the fact that witless, gross-out comedy doesn’t work. Monty (Ryan Reynolds) shows up at a party, to meet up with his co-workers Serena (Anna Faris) and Raddimus (Luis Guzman). Their other…

The Interpreter

In the sequence preceding the opening titles, an ambush takes place. It’s apparent this is going to be central to the plot of the film, but not yet clear in what way. Only a cryptic message from one young boy, “The teacher says…

Serenity

On the one hand, I realize I may not appreciate it the way fans of the series do. On the other hand, I do love science-fiction considerably, and have since childhood. Thus, I may be far more critical than the average viewer because I have seen enough sci-fi that doesn’t stand up to normal dramatic standards and I’d like to see more that does. Though it takes some time…

A History of Violence

Two men exit what appears to be a motel. As they approach the car, one of them is getting prepared to leave. He drives up a few feet, and then stops. This is an interesting shot, both because it’s setting an unusually comical tone for such a serious film, and because the camera, in a medium-wide profile shot, stays locked to the car’s movement…

Into The Blue

Somewhere over the Caribbean, a plane goes down in a storm. Our only indication of the nature of the occupants and cargo is a man toting a gun who, along with the pilots, gets bounced about and killed when the plane crashes. Naturally, this will be important later, but right now, we must move on to the fat guy swimming upside down—presumably learning snorkeling from…

Proof

“Proof” opens looking in on a house at night. It’s raining outside, and the television is on. The window is cloaked in rain, obscuring the interior a bit. The scene cuts to the interior and reveals Catherine Llewelyn (Gwyneth Paltrow) flipping channels—sometimes the television’s. The scene abruptly changes to a university. Catherine bumps into…