“To pop, sports were a religion where all wrongs could be made right,” says Brandon Lang (Matthew McConaughey). Brandon’s interest and talent for football had the potential to take him a long way, but a mishap in a crucial play leaves his knee injured and his hopes of a pro career destroyed. Six years pass, and Brandon picks up work as a…
Is there a lesson to be learned from “Deuce Bigalow,” from which first time director Rob McKittrick could benefit? If there is, perhaps it’s the fact that witless, gross-out comedy doesn’t work. Monty (Ryan Reynolds) shows up at a party, to meet up with his co-workers Serena (Anna Faris) and Raddimus (Luis Guzman). Their other…
In the sequence preceding the opening titles, an ambush takes place. It’s apparent this is going to be central to the plot of the film, but not yet clear in what way. Only a cryptic message from one young boy, “The teacher says…
On the one hand, I realize I may not appreciate it the way fans of the series do. On the other hand, I do love science-fiction considerably, and have since childhood. Thus, I may be far more critical than the average viewer because I have seen enough sci-fi that doesn’t stand up to normal dramatic standards and I’d like to see more that does. Though it takes some time…
Two men exit what appears to be a motel. As they approach the car, one of them is getting prepared to leave. He drives up a few feet, and then stops. This is an interesting shot, both because it’s setting an unusually comical tone for such a serious film, and because the camera, in a medium-wide profile shot, stays locked to the car’s movement…
Somewhere over the Caribbean, a plane goes down in a storm. Our only indication of the nature of the occupants and cargo is a man toting a gun who, along with the pilots, gets bounced about and killed when the plane crashes. Naturally, this will be important later, but right now, we must move on to the fat guy swimming upside down—presumably learning snorkeling from…
“Proof” opens looking in on a house at night. It’s raining outside, and the television is on. The window is cloaked in rain, obscuring the interior a bit. The scene cuts to the interior and reveals Catherine Llewelyn (Gwyneth Paltrow) flipping channels—sometimes the television’s. The scene abruptly changes to a university. Catherine bumps into…
There is a richness of detail in stop animation of which Tim Burton has become, inarguably, a master craftsman. Tim Burton has invited us back to a time before cinema became inundated with computer graphics. I’m not saying that computer graphics can’t be innovative, but now that every studio and nearly every major film employs it in some fashion or another…