Lord of War
Yuri Orlov (Nicolas Cage) is part of a machinery without a conscience: The arms industry. To illustrate, I think, the soullessness of this machinery, the film opens with a vignette about the birth, life and death of a bullet. You see, from the bullet’s point of view, how it is manufactured, packaged, distributed, and ultimately, used. As with Andrew Niccol’s films, “Gattaca” and “The Truman Show,” Niccol personalizes…