Capsule reviews for Nov. 18

The Heir Apparent: Largo Winch

Frequently it’s Hollywood that is trying to remake ideas from European cinema. This French thriller has it the other way around, with so many mindless action sequences strung together and a plot so convoluted that it must somehow be traced back to Hollywood. The corporate espionage storyline has the title character (Tomer Sisley) trying to avenge the murder of his adoptive father by tracking down the killers while fighting to prove his name as the rightful heir to his father’s fortune. It’s impossible to take seriously through the absurd twists and turns, although the esteemed Kristin Scott Thomas brings some credibility as one of Largo’s allies. (Not rated, 108 minutes).

Tomboy

This sensitive yet charming French coming-of-age story follows a 10-year-old girl named Laure (Zoe Heran) who would rather be a boy. She already has androgynous physical characteristics, so she creates an alter ego named Michael for the summer, a harmless scheme that initially fools everyone including her family, yet seems doomed for failure. The script by director Celine Sciamma (Water Lilies) lacks subtlety and sophistication in places, but it does authentically capture a spirit of childhood innocence and sexual discovery. Plus, the film benefits from a bold and compelling lead performance by newcomer Heran, who is capably supported by the other child actors in the cast. (Not rated, 84 minutes).