Capsule reviews for Dec. 9

The title character might be a jackass, but he couldn’t be more sympathetic in this loose remake of Robert Bresson’s Au Hasard Balthazar by venerable Polish filmmaker Jerzy Skolimowski (Moonlighting). With minimal dialogue, it chronicles the often absurd, sometimes shocking adventures of a donkey who escapes from the circus and attempts to survive in the wilderness both rural and urban, experiencing cruelty and compassion through various interactions with humans along the way. Although it’s disjointed by nature, the visually striking and powerfully understated film conveys an offbeat charm as it makes a plea for peaceful coexistence while meandering through contemporary Europe from a unique four-hooved perspective. (Not rated, 88 minutes).

Loudmouth

An effectively straightforward recap of his career, this documentary about firebrand political activist and television personality Al Sharpton doesn’t offer much meaningful insight beyond the highlights. The film covers a lot of ground, from Sharpton’s start as an ordained young Baptist minister to a partnership with Jesse Jackson that prompted him to lead protests in his native New York and elsewhere focused on racial injustice and discrimination, becoming more outspoken and controversial along the way. Boasting abundant archival footage to provide historical perspective, the film feels too guarded and hagiographic in touting Sharpton’s influence and legacy while glossing over his personal life and getting inside his head. (Not rated, 123 minutes).

Something from Tiffany’s

Driven by coincidences and fraught with predictability, this hokey romantic comedy from director Daryl Wein (Lola Versus) rises only slightly above schmaltzy Hallmark seasonal fodder. Set in New York during the holidays, it chronicles the relationship misadventures stemming from an engagement ring switcheroo that prompts a meet-cute involving a bakery owner (Zoey Deutch) and a struggling writer (Kendrick Sampson), who are each in committed relationships that might not be ideal in either case. The charming performances and stylish visuals — the film captures its setting with a credibly diverse cast — can’t rescue a mildly amusing screenplay that emphasizes formula and obvious gags over subtlety and surprise. (Rated PG, 87 minutes).