The Old Guard

If it’s impolite to ask a woman her age, then plenty of characters in The Old Guard aren’t minding their manners.

However, the question is pertinent when it comes to the protagonist in this offbeat and compelling superhero saga that’s more about self-discovery than saving the day.

She’ll never say, but Andy (Charlize Theron) is older than she looks. She and her longtime sidekick (Matthias Schoenaerts) lead a quartet of covert mercenaries linked by their collective immortality, which comes in handy as they travel the world trying to thwart terrorism or liberate the oppressed. Details are sporadically revealed from there.

In this origin story, their mission doesn’t involve world peace as much as simply fighting for themselves. Despite Andy’s cynicism toward accepting new assignments, they’re lured into a human rights operation by a former CIA officer (Chiwetel Ejiofor) that turns out to be a trap perpetrated by a corrupt pharmaceutical executive (Harry Melling).

At the same time, Nile (KiKi Layne) is a respected Marine who suffers a fatal wound in Afghanistan, only to mysteriously recover without a scratch. Apparently she is Andy’s new protégé, whether she likes it or not. And she might be the key to preserving their secret existence.

Theron adds to her extensive badass credentials with another role that showcases her physical toughness, as well as her skill in balancing strength with vulnerability. Coupled with an expressive portrayal by Layne (If Beale Street Could Talk) as the curious and resourceful newbie, the film finds an emotional resonance through the chemistry between its two tortured leads, who share a gift neither of them really wants.

As directed with visual flair by Gina Prince-Bythewood (Love and Basketball), the film doesn’t rely on visual effects or large-scale action sequences. Rather, the more intriguing moments are more intimate and character-driven, pondering moral and psychological consequences.

There are some issues with the screenplay by Greg Rucka, adapted from his series of graphic novels. It bogs down in the convoluted backstory, generally takes itself too seriously, and features stock villains who limit the stakes during the inevitable final confrontation.

It’s also too eager to push itself as an intended franchise starter, although The Old Guard provides a sturdy foundation for such prospects. After all, these heroes aren’t ready to die just yet.

Rated R, 124 minutes.