Destroyer
A lot of people asked me after the screening why I’m always playing violent characters….
A lot of people asked me after the screening why I’m always playing violent characters….
Both HIGH LIFE and DESTROYER utilize flashbacks as a mechanism for the protagonist to process past trauma, and moments of almost disarming tenderness to punctuate brutality—a jarring but effective vacillation.
CONSEQUENCES meditates on the slow-acting poison of self-hatred without ever making it feel mundane.
Barry Jenkins’ 2016 Oscar-winning debut, MOONLIGHT, swept audiences along the festival circuit. His follow up…
We, the audience, feel as if she is imploring us directly: don’t judge me. You…
Given the abundance of vigilante heroines on the big screen recently, Peppermint feels considerably more…
The Apparition Perhaps religious scholars are the target demographic for this contemplative, deliberately paced French…