Risen

Religious beliefs aren’t likely to be swayed one way or the other by Risen, the latest exercise in big-screen preaching to the choir.

This faith-based drama offers a muddled interpretation of the 40-day period between Christ’s resurrection and his ascension, but rather than an inspirational Easter tale, it too often feels like a didactic feature-length sermon.

Chronologically, the story follows on the heels of The Passion of the Christ by opening with the brutal crucifixion of Jesus (Cliff Curtis) — called by his Hebrew name Yeshua in the film — and the entombment of his body. That’s followed by his resurrection, of course, which puzzles Pontius Pilate (Peter Firth), who sends an agnostic Roman tribune, Clavius (Joseph Fiennes), to solve the mystery behind Christ’s sudden disappearance.

The bulk of the film focuses on the spiritual transformation of Clavius, who breaks down the case almost as a detective, interviewing potential witnesses to the apparent miracle. His young aide, Lucius (Tom Felton), however, doesn’t share his faith and remains loyal to the bloodthirsty Pilate, who wants the Nazarene — as he calls him — brought back dead or alive. His goal is to squelch rumors of a Messiah and avoid an uprising in Jerusalem.

Those familiar with the New Testament will recognize some scriptural passages that are highlighted in the film, although the main character and much of the story is speculative, with mixed results. Seeing Clavius interact with Mary Magdalane (Maria Botto) and the disciples after playing such a key role in the crucifixion certainly feels awkward.

Veteran director Kevin Reynolds (Waterworld), who also co-wrote the script with newcomer Paul Aiello, contributes some nice visual touches, downplaying the use of gimmicky effects in favor of a grittier period re-creation.

Risen tries to frame its story as a revenge thriller of sorts, with Clavius as a reformed antihero. Perhaps that’s an awkward attempt to bridge the gap between the film’s first-century setting and its 21st century audience, which is more pronounced on the screen than the written page.

It might go over well as a discussion starter with Bible study groups. Still, after a violent beginning, most of the film is likely too slow and heavy-handed for contemporary audiences, regardless of spiritual affiliation.

Rated PG-13, 107 minutes.