Selma

When portraying a historical figure as galvanizing and influential as Martin Luther King Jr., it might be difficult to find the man beneath the accomplishments.

That makes the work of director Ava DuVernay and actor David Oyelowo even more praiseworthy in Selma, a riveting chronicle of one of the civil-rights crusader’s most famous achievements that offers a history lesson while finding a contemporary relevance.

Most people will know the basics of the story, which follows King’s push for equal voting rights in 1965, when he mobilizes a group of supporters in Selma, Ala., for a march to Montgomery in protest for decades of minority oppression at the polls — illustrated by an early sequence in which a black woman (Oprah Winfrey) is denied in her efforts to register despite having the proper paperwork.

His decision was made only after deep personal reflection and after consultation with President Lyndon Johnson (Tom Wilkinson), whose relative indifference thrusts King into action.

As the protest itself grows in scope, it also becomes more dangerous thanks to racist onlookers with violent tendencies and government officials including Alabama Gov. George Wallace (Tim Roth) who conspire against King’s efforts behind the scenes.

British native Oyelowo (The Last King of Scotland) gives a performance that goes much deeper than mere mimicry, capturing more than just King’s words and mannerisms.

Likewise, DuVernay (Middle of Nowhere) and rookie screenwriter Paul Webb offer intimacy and perspective beyond what’s available through history textbooks and common knowledge. It’s not a typical biopic, and doesn’t aim to be one, with its more specific focus.

The film explores King’s sometimes volatile life with his family — including his outspoken wife Coretta (Carmen Ejogo) — and closest confidantes, and isn’t afraid to expose some of his flaws and insecurities. It provides insight into his philosophy, political beliefs, spirituality and inner turmoil.

Despite its uneven narrative structure, he film also shines in more conventional ways, with its vivid re-creation of time and place and its stirring re-enactments of some powerful speeches. During the protest itself, some of the brutality is difficult to watch, making it that much more potent.

Of course, King’s achievements are still provocative and enlightening 50 years later as a hallmark of grassroots non-violent activism. And Selma pays tribute by resonating more deeply when considered in the context of current events.

Rated PG-13, 127 minutes.