The week’s DVDs begin in Monaco:
DVDs for July 29 by Boo Allen
This week, we begin in Monaco:
The Grace Kelly Collection: The Country Girl, Dial M for Murder, North by Northwest, High Society, Mogambo, The Bridges at Toko-Ri, and Princess Grace of Monaco: Moment in Time.
For this long over-due collection highlighting the short but fascinating career of Grace Kelly, Warner Bros. Home Entertainment has assembled six movies, on seven discs, along with the 1982 interview feature: Princess Grace of Monaco: Moment in Time. Kelly won her only Best Actress Oscar for The Country Girl (1954, 104 minutes), based on Clifford Odetts’ play about a fading alcoholic actor (Bing Crosby) who lands a choice part in a new Broadway play, while his wife (Kelly) stands beside him. Alfred Hitchcock directed both Dial M for Murder (1954, rated PG, 105 minutes) and To Catch a Thief (1955, 106 minutes). In Dial M, Kelly plays a potential murder victim who defends herself against the plottings of her jealous husband (Ray Milland). Kelly plays opposite Cary Grant in Catch/Thief, a breezy romance set on the Riviera with Grant playing a cat burglar. Kelly’s final film, High Society (1956, 111 minutes), a musical re-make of the film Philadelphia Story, sports a Cole Porter score smoothly delivered by Frank Sinatra and Bing Crosby. Kelly earned her first Oscar nomination for Mogambo (1953, 116 minutes), a re-make oddity starring Clark Gable in the same role he had in the original 1932 Red Dust. Kelly falls for Gable despite being the wife of his, Gable’s, boss. James Michener’s quasi-existential novel served as the source for The Bridges at Toko-Ri (1954, 102 minutes), a Korean war saga in which Kelly again plays the dutiful wife, this time to a Navy pilot played by William Holden. Former presidential press secretary Pierre Salinger hosts the documentary Princess Grace of Monaco: Moment in Time (1982, 51 minutes). The former Kennedy aide interviews Kelly at home in Monaco, an encounter made more poignant by Kelly’s death a week after filming. The collection offers individual supplements, such as a history of Hitchcock on Dial M. High Society offers a featurette on Cole Porter, a cartoon, newsreel, and more. Catch/Thief includes commentary, a featurette on writing and casting the film, a “making of” featurette, an appreciation of Hitchcock, and a featurette on designer Edith’s Head’s years at Paramount. And more.
Love in the City (L’Amore in Citta) (***1/2)
Raro Video and Kino Lorber have teamed up to rescue this 1953 Italian treasure that features looks at the early works of Federico Fellini, Michelangelo Antonioni, and four other young directors. Now released on Blu-ray and DVD, the film holds six short segments from six directors. Writer-director and Neo-Realist pioneer Cesare Zavattini approached six young filmmakers for a contribution centering loosely on love. And he paid them nothing. Zavattini also receives co-writing credit on all the half dozen shorts except Fellini’s. The films can be loosely broken into three non-fiction based works,with three having more of an artistic nature. Several of the narratives feature the involved persons playing themselves: in director Francesco Maselli’s “Story of Caterina,” the title character plays herself in her story of being expelled from Rome but unable to return to her native Sicily because of the shame caused by her pregnancy. Antonioni’s “Attempted Suicide” interviews actual suicide survivors. Fellini’s whimsical “Marriage Agency” uses non-actors in its story of a man inquiring at a marriage agency for a possible bride for an alleged friend. The man wants a woman so desperate she is not afraid to marry his friend who just might be a werewolf. Director Carlo Lizzani, Dino Risi, and Alberto Lattuada also contribute brief works.
Not rated, 111 minutes.
Extras: interviews with film critics Paolo Mereghetti (13 minutes), Luca Bandirale (24 minutes), and Angelo Pasquini (15 minutes); each episode has commentary from various film critics. Plus: a 20 page booklet with related essays.
Dom Hemingway (**)
In this lame, ultimately pointless crime-comedy, a scruffy, foul-mouthed Jude Law struts around for around an hour and a half as the title character, a safe-cracker who leaves prison after 12 years. First, he and his friend (Richard E. Grant) call for money from the man (Demian Bichir) he shielded while in prison. After losing his money, Dom tries to return to his old occupation while also trying to find time to reconcile with his daughter (Emilia Clarke).
Rated R, 93 minutes.
Extras: director’s commentary, four brief “making of” featurettes, a stills gallery, trailer, and more.
The Face of Love (*1/2)
Again this week, for the second time in a few months (see: Jake Gyllenhaal in Enemy), the hoary plot device of a double serves as a plot. Unfortunately, this time, director and co-writer Arie Posin (The Chumscrubber) uses the gimmick for treacly, over-wrought melodrama. Not a second rings true in the story of Nikki (Annette Bening), a Los Angeles mother to Summer (Jess Weixler) and wife to her long time husband (Ed Harris). But he dies suddenly on a vacation trip to Mexico. Flash ahead a few years and Nikki struggles to escape her grief when she sees Tom (again, Harris), an artist and art teacher. She more or less stalks him until they meet movie-cute. They start a relationship, while Nikki never explains her attraction. From there, the film’s only interest comes in anticipating what Tom will do when he discovers the truth, which naturally has to come some time. Robin William plays a caring, love-smitten neighbor.
Rated PG-13, 92 minutes.
Extras: commentary, a nine minute featurette on the cast, and five minutes of deleted scenes.
At War With the Army (**1/2)
This forgotten 1950 time piece marked the third film in which Dean Martin and Jerry Lewis appeared, but it was the first of what could be considered starring roles for both. Director Hal Walker’s film is based on Fred Finklehoffe’s script from James B. Allardice’s stage play, an origin made apparent by the limited sets. Coming on the heels of World War II, much of the film’s humor relies on recognized military norms and stereotypes. But overall, it’s an amusing trifle with Lewis, at his most manic, playing Pfc. Alvin Korwin, and Dino is Sgt. Vic Puccinelli (and he performs a few songs). Before entering service, they were close friends, but now the Sgt. must enforce discipline on the unruly private, something not always possible.
Not rated, 93 minutes.
The Den (**1/2)
The “den” itself is a video chat room. One night, Elizabeth (Melanie Papalia) witnesses a murder. She is convinced it is real. But when she tries to alert others, she suddenly finds she has been pulled into a gruesome, unexpected situation. Directed and co-written, with Lauren Thompson, by Zachary Donohue.
Rated R, 76 minutes.
Extras: commentary, and a “behind-the-scenes” featurette.
Also on DVD: The Amazing Catfish, Finding Vivian Maier, The French Minister, Noah.