Capsule reviews for June 8

Bel Ami

Robert Pattinson again broods unsuccessfully through a romantic leading role in this stylish but narratively inert adaptation of the 19th century novel by Guy de Maupassant. Pattinson (Twilight) plays Georges Duroy, a young 1890s Parisian journalist who navigates a world of politics and celebrity, trying to manipulate various affluent women only to realize too late that he is the one being exploited for greed and power. The film’s lavish costumes and cinematography are compromised by a melodramatic script that mutes the passion of its characters and keeps them at an emotional distance. The cast includes Uma Thurman, Christina Ricci, Kristin Scott Thomas and Colm Meaney. (Rated R, 102 minutes).

Lola Versus

This slight if modestly amusing low-budget romantic comedy follows its title character (Greta Gerwig) as she goes through a downward spiral after being dumped by her fiance (Joel Kinnaman) only weeks before their wedding. After a series of desperate romantic encounters intended to fill the void, she discovers that being single at 30 might not be the worst thing after all. Directed by Daryl Wein (Breaking Upwards), the film has an offbeat charm and gives most of the best lines to Lola’s mischievous best friends. However, her emotional vulnerability feels contrived and the script treads familiar territory without providing much insight into contemporary relationships. (Rated R, 89 minutes).

Paul Williams Still Alive

Almost in spite of itself, this unfocused documentary accomplishes its main goal, which is to shine the spotlight on Paul Williams, the award-winning composer and musician who gained popularity for his work in movies and popular music during the 1970s but has since faded into obscurity. Director Stephen Kessler (Vegas Vacation) has always been a fan, and the film follows his quest to track down and become buddies with his subject, sometimes detracting from the compelling story and personality of Williams himself. At least the archival footage fills in the details of a career that should allow a new generation to appreciate Williams’ influence and versatility. (Rated PG-13, 87 minutes).