The Whistleblower

Human-rights groups might rally around The Whistleblower, even if it’s unlikely to bring much meaningful attention to the issue of worldwide human trafficking.

It’s a gritty if rather conventional thriller with clear-cut heroes and villains that is admirable more for its true-life intentions than for its execution.

Rachel Weisz stars as Kathryn Bolkovac, a Nebraska cop who reluctantly takes a post as a peacekeeper in post-war Bosnia as a way to pay some bills. Her work ethic quickly earns her a promotion, which leads to her discovery of a underground sex ring that preys on teenage girls from the Ukraine and other neighboring countries.

Infuriated that the crimes seem to be common knowledge, Kathryn decides to investigate on her own after befriending a few of the girls and committing to their freedom. Her persistence through bureaucratic red tape and conflicting stories leads to her discovery that the ring might be a massive cover-up by a combination of government contractors and agencies that will go to great lengths to protect themselves.

Credit rookie director Larysa Kondracki, who also co-wrote the script, with some courage in her depiction of the violence in the film. It’s difficult to watch at times, but some of the harrowing imagery should help to drive home her point. The film does its best to put names and faces to the victims, which should help to get viewers’ blood boiling.

Weisz gives a solid performance as a crusader for truth whose gender is never a factor, and other recognizable names pop up in small but vital roles, including Vanessa Redgrave, David Strathairn and Monica Bellucci. But the script somehow fails to convey the same level of outrage as its main character.

There are a few twists and turns that culminate in a finale that feels forced. Even if it might be based on actual events, it seems dramatic license took a substantial role that compromises the film’s emotional resonance.

Human trafficking is a horrible practice that remains a significant global issue, and if The Whistleblower provides a basis for discussion about the topic, then fine, but too often it feels like a missed opportunity.

Rated R, 112 minutes.