The beginning of this film reminds me somewhat of the opening of “Arlington Road,” based on the screenplay that won Ehren Kruger the Nicholl Fellowship from the Academy of Motion Picture Arts and Sciences. Like “Arlington Road,” however, this film has some elements that work well, and others that don’t. Joey Gazelle (Paul Walker) leaves a building with Oleg Yugorsky (Cameron Bright)…
Young, a child of Canada (born in Toronto, moved to Los Angeles in 1966), is followed closely in this film, but not in the conventional manner. Instead of featuring long stretches of interviews about his childhood, his aspirations, the road to fame, etc. the film tightens its focus on one performance at the Ryamn Auditorium in Nashville. This is an …
Maybe Disney has learned a few things. Then again, maybe not. Attempting perhaps to cash in on the success of their Buena Vista release “Snow Dogs” (2002), Disney treats us to another movie about sled dogs. This time, the story takes place in Antarctica, where the National Science Foundation’s expeditionary team is aided by Gerry…
So I thought, “Julianne Moore… missing kid… What is this, ‘The Forgotten 2’?” That it was not… But I couldn’t quite figure out what else it was trying to be. What initializes as a story about a missing kid becomes a mishmash of subplots between the angry cop brother (Ron Eldard as Danny Martin) who wants justice, the creepy “Friends of Kent” consultant—i.e. finder of lost children—Karen Collucci (Edie Falco), the seemingly drugged out Brenda Martin (Moore) and the residents…
Films produced from Larry McMurtry’s works have garnered ten Oscars and 34 Oscar nominations, beginning…
Because I also have a background in internet security, I was expecting this film to be a “high-tech” flambé of technological ineptitude. I was wrong. It’s not very high-tech at all. Actually, it starts out like it wants to be a technological thriller of of clandestine intrepdity, and ends up being another dull…
It’s obvious that there was no point to this sequel any more than there was a point to the previous one. It’s also obvious that these films have no purpose whatsoever except to serve as body countdowns in which the “takedowns” get progressively gorier. It’s…
And yet another film in enters the category of “Remakes That Should Not Have Been.” It took three writers, Steve Martin, Michael Saltzman and Len Blum, to put together a bland remake of the relatively unfunny Blake Edwards 1963 original. Before I forget, there’s a second category this film falls into…